Soothe offers a solution to this common mastering problem, and also has several useful mixing applications.
When the different elements of a song sum together when they reach your stereo bus, specific harmonics can sum together to create resonant frequencies that unpleasantly stick out of the mix. Soothe is a spectral processor for suppressing resonances in the mid to high-frequency range of mixes. FabFilter’s Pro-Q 3 offers plenty of surgical processing options, making it ideal for mastering purposes. I find this to come in handy quite often since it prevents the need to go frequency fishing. There’s a feature called Spectrum Grab included with the Pro-Q 3 that automatically identifies peaks for you and allows you to create new bands at resonant frequencies.
#SONNOX OXFORD PLUGINS REVIEW FULL#
This EQ offers up to 24 bands, 9 different filter types, linear phase, zero latency, and natural phase modes, the ability to toggle bands into dynamic mode, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), the ability to solo bands, optional auto gain, a customizable spectrum analyzer, and a resizable GUI. At a mastering level, I want a digital EQ full of features, with the ability to perform surgical processing this is where the FabFilter Pro-Q 3 steps in. Things change a little bit once I get around to mastering either my own music or the music of others. I mostly use stock or analog-modeled EQs while mixing, since I’m either looking for convenience or color at that stage in the production process.
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